Spiritual theater
The stage is set: It is nearing midnight under a full moon. The celebrants are gathered in a circle around a roaring fire. There is an air of expectation and wonder. They slowly begin to chant, softly at first, then with gathering volume & power, all voices joining together in a growing crescendo of ecstatic voice. As the the chanting reaches its climax, the shaman enters the circle, reslendant in his feathers, skins and ribbons of brightly colored cloths. He dances his power animal, body swaying, stamping, jumping and spinning, an ecstatic expression on the part of his face that isn't covered by a mask. Suddenly he stops and motions to those in the circle. The drums stop, the voices are silenced and all await his words.
A man addresses an expectant crowd. They sit in rows, listening, quietly at first, then with shouts and affirmations as he stirs them up. He stalks the stage, microphone in hand, waving his arms, pointing at the crowd and at the sky. He invokes the names of their gods--Father, Son, Holy Spirit. His voice is sometimes soft & modulated, the listeners leaning forward to catch each word. Sometimes it is loud, forceful, strident even, eliciting shouts & claps from the audience. Finally he softens again, the music begins to softly play in the background as he invites one & all to come forward and join him.
I have shared just two examples of theater in religion. The first could be an pagan, shamanic culture; the second, any evangelical Christian service. And for those who belong to neither, I only have to describe the rituals and theater inherent in their own faith. There are the priests reciting mass in ancient Latin, the Methodists reciting the doxology in responsive reading, and many other examples I don't have time to list. The point is not to say that all religion is just theater and therefore, false. It is to point out that our society has made a mistake in assuming that theater is not compatible with spirituality. Many people make fun of the "witch doctor's" crazy shenanigans and deny the performance element in their own belief system. I would propose that theater is an integral part of our religious experience. We need it; we crave it; yet we often deny and trivialize it. When the voodoo practitioner throws blood & powder into the fire and it explodes in bright colors, many dismiss this as trickery or a hoax to fool others into thinking there is magic there when there is not. I believe it is to help us recognize the magic that is there. I used to scoff at the elaborate rituals and theatrical monologues often incorporated in Western Ceremonial Magic as useless and pompous. Sometimes it may be, if we get hung up on the appearances and forget the underlying principles at work. In this way, the greatest preachers, the most powerful incantations, the deepest and most touching recitations may become nothing more than nursery rhymes. But a performance that grabs the audience and lifts them out of their own minds for a time can become a spiritual experience even if not initially invested with religious significance. If you doubt this, just ask anyone who has been to hear a Bach symphony or attended a great opera. I believe we need to re-discover the awe and respect for theater in our spirituality. Do not giggle at the curious antics of those you do not understand. Divorced of spirituality the whirling dervishes of Sufiism are just silly dances. The incense burned at Mass is just a pretty smell. And the weeping of dedicants at a baptism is just hysterics over being dunked in water. In the same vein, the calling of the four corners into the circle and the dancing of a power animal can become pointless play. But they do not have to be.
A man addresses an expectant crowd. They sit in rows, listening, quietly at first, then with shouts and affirmations as he stirs them up. He stalks the stage, microphone in hand, waving his arms, pointing at the crowd and at the sky. He invokes the names of their gods--Father, Son, Holy Spirit. His voice is sometimes soft & modulated, the listeners leaning forward to catch each word. Sometimes it is loud, forceful, strident even, eliciting shouts & claps from the audience. Finally he softens again, the music begins to softly play in the background as he invites one & all to come forward and join him.
I have shared just two examples of theater in religion. The first could be an pagan, shamanic culture; the second, any evangelical Christian service. And for those who belong to neither, I only have to describe the rituals and theater inherent in their own faith. There are the priests reciting mass in ancient Latin, the Methodists reciting the doxology in responsive reading, and many other examples I don't have time to list. The point is not to say that all religion is just theater and therefore, false. It is to point out that our society has made a mistake in assuming that theater is not compatible with spirituality. Many people make fun of the "witch doctor's" crazy shenanigans and deny the performance element in their own belief system. I would propose that theater is an integral part of our religious experience. We need it; we crave it; yet we often deny and trivialize it. When the voodoo practitioner throws blood & powder into the fire and it explodes in bright colors, many dismiss this as trickery or a hoax to fool others into thinking there is magic there when there is not. I believe it is to help us recognize the magic that is there. I used to scoff at the elaborate rituals and theatrical monologues often incorporated in Western Ceremonial Magic as useless and pompous. Sometimes it may be, if we get hung up on the appearances and forget the underlying principles at work. In this way, the greatest preachers, the most powerful incantations, the deepest and most touching recitations may become nothing more than nursery rhymes. But a performance that grabs the audience and lifts them out of their own minds for a time can become a spiritual experience even if not initially invested with religious significance. If you doubt this, just ask anyone who has been to hear a Bach symphony or attended a great opera. I believe we need to re-discover the awe and respect for theater in our spirituality. Do not giggle at the curious antics of those you do not understand. Divorced of spirituality the whirling dervishes of Sufiism are just silly dances. The incense burned at Mass is just a pretty smell. And the weeping of dedicants at a baptism is just hysterics over being dunked in water. In the same vein, the calling of the four corners into the circle and the dancing of a power animal can become pointless play. But they do not have to be.
